Exterior at night

The Center at night

Side Entrance

The entrance of the CSGS

Heather Love audience

The audience listens as Lauren Berlant introduces Heather Love in 2014

Class discussion

Students participate in a classroom discussion at the Center

Héctor Carrillo

Héctor Carrillo talks with students after his book talk in 2018

Joan Scott

Joan Scott speaking at the Center in 2017

panel

Students listen to panelists present in 2017

Community room

The Community Room at 5733 S University

center door

Center entrance

5733 exterior

The exterior of 5733 S University

Bhanu Kapil

Poet Bhanu Kapil at the Center in 2016

2024-2025 Courses

Undergraduate Courses 

AUTUMN 2024

Graduate Courses

AUTUMN 2024 

 

Undergraduate Course Descriptions

AUTUMN 2024 

GNSE 12115 Religion And Abortion In American Culture
Instructor: Emily Crews
In American public discourse, it is common to hear abortion referred to as a “religious issue.” But is abortion a religious issue? If so, in what ways, to whom, and why? In this course we will answer these questions by tracing the relationship between religion and abortion in American history. We will examine the kinds of claims religious groups have made about abortion; how religion has shaped the development of medical, legal, economic, and cultural perspectives on the topic; how debates over abortion have led to the rise of a certain kind of religious politics in the United States; and how issues of race, class, gender, sexuality, and the body are implicated in this conversation. Although the course will cover a range of time periods, religious traditions, and types of data (abortion records from Puritan New England, enslaved people’s use of herbal medicine to induce miscarriage, and Jewish considerations of the personhood of the fetus, among others), we will give particular attention to the significance of Christianity in legal and political debates about abortion in the twentieth and twenty-first centuries. There are no prerequisites for this course and no background in Religious Studies is required. However, this course may be particularly well-suited to students interested in thinking about how certain themes or areas of study—medicine and medical sciences, gender and sexuality, race and ethnicity, political science—converge with religion and Religious Studies.
This course counts as a Foundations course for GNSE majors. 

GNSE 12123 Global Perspectives on Reproductive Justice Theory and Practice
Instructor: Malavika Parthasarathy
The US Supreme Court’s 2022 decision in Dobbs v. Jackson Women’s Health Organization has sharpened our awareness of the perils that besiege our reproductive futures. This course offers a deep dive into comparative reproductive justice theory and practice rooted both in unique cultural particularities and in globally resonant issues and challenges. While exposing students to the foundational texts shaping the reproductive justice movement, the course shall engage critically with the possibilities and limitations of a rights based framework and the challenges and liberatory potential of a justice based approach to reproductive decision-making. Drawing from literature and media from across the world, the course shall provide global perspectives on issues as varied as contraception, assisted reproductive technology, mass sterilization, and family leave, along with scholarship and resources from the US. While engaging critically with theory, the course shall also provide practitioners’ perspectives through guest lectures by ethnographers, lawyers, and healthcare professionals working in the field.
This course counts as a Foundations course for GNSE majors.

GNSE 12131 The Gay Men’s Novel
Instructor: Gabriel Ojeda-Sague
This course focuses on the history, concerns, aesthetics, movements, and culture of the gay men’s novel, without the boundaries of time period, nation, or original language. The goal for students is to think in-depth about the relationship between sexual identity and narrative form, to learn about gay men’s literary lineages and movements, and to think through queer theoretical concepts through fiction authored by gay men.
This course counts as a Foundations course for GNSE majors.

GNSE 12135 Reading the Rom-Com: Renaissance and Modern
Instructor: Sarah-Gray Lesley
This course challenges the common assumption that modern romantic comedies are not worthy of academic study by examining early modern iterations of the genre--from William Shakespeare's Taming of the Shrew (1590) to Aphra Behn's The Rover (1677). In turning to these sixteenth- and seventeenth-century texts, we will consider how this often trivialized genre encodes, theorizes, and problematizes issues of gender, sex, class, race, and desire through its familiar formula of "simply" getting some people to fall in love.
This course counts as a Foundations course for GNSE majors.  

GNSE 15002 Gender and Sexuality in World Civilizations I
Instructors: Various
The first quarter of the GNSE Civ sequence offers a historical examination of bodies, sex, and gender. Through a series of readings that include historical primary sources and examples of cultural production from antiquity to the present, we will investigate how bodies across a variety of cultures become sexed and gendered. In particular, we will ask how the very categories of sex and gender not only produce social meaning from bodies and their anatomical differences but may also be complicit in acts violence, oppression, and colonization. Thematically we will pay attention to the emergence and critique of the distinction between sex and gender; resistances to the gender binary; the relationship between gender, power, and authority; feminism and critiques of Western feminism; the category of woman as an object of scientific knowledge; and the flourishing of and violence against trans life. Finally, while we will be dealing with historical accounts in this course, the aim is to understand how the regulation of bodies in the past has informed and may challenge our understanding of the diversity of embodied experience in the present. 

GNSE 17612 The Art of Michelangelo
Instructor: Charles Cohen
The focus of this course will be Michelangelo’s sculpture, painting and architecture while making use of his writings and his extensive body of drawings to understand his artistic personality, creative processes, theories of art, and his intellectual and spiritual biography, including his changing attitudes towards Neoplatonism, Christianity and politics. Our structure will be chronological starting with his juvenilia of the 1490s in Florence at the court of Lorenzo the Magnificent through his death in Rome in 1564 as an old man who was simultaneously the deity of art and a lonely, troubled, repentant Christian. Beyond close examination of the works themselves, among the themes that will receive attention for the ways they bear upon his art are Michelangelo’s fraught relationship with patrons; his changing attitude towards religion, especially his engagement with the Catholic Reform; his sexuality and how it might bear on the representation of gender in his art and poetry; his “official” biographies during Michelangelo’s lifetime and complex, ambivalent, reception over the centuries; new ideas about Michelangelo that have emerged from the restoration and scientific imaging of many of his works. At the same time, the course will be an introduction of students with little or no background in art history to some of the major avenues for interpretation in this field, including formal, stylistic, iconographical, psychological, social, feminist, theoretical and reception. 

GNSE 20001 Theories of Sexuality and Gender
Instructor: Red Tremmel
This is a one-quarter, seminar-style course for undergraduates. Its aim is triple: to engage scenes and concepts central to the interdisciplinary study of gender and sexuality; to provide familiarity with key theoretical anchors for that study; and to provide skills for deriving the theoretical bases of any kind of method. Students will produce descriptive, argumentative, and experimental engagements with theory and its scenes as the quarter progresses. Prior course experience in gender/sexuality studies (by way of the general education civilization studies courses or other course work) is strongly advised. Instructor Consent required. 

GNSE 20116 Queering the American Family Drama
Instructor: Leslie Buxbaum
This course will examine what happens to the American Family Drama on stage when the 'family' is queer. Working in dialogue with a current production at Court Theatre, we will move beyond describing surface representations into an exploration of how queering the family implicates narrative, plot, character, formal conventions, aesthetics and production conditions (e.g. casting, venues, audiences, marketing and critical reception). Texts will include theatrical plays and musicals, recorded and live productions, and queer performance theory. This course will be a combined seminar and studio, inviting students to investigate through readings, discussion, staging experiments, and a choice of either a final paper or artistic project.
This course counts as a Problems course for GNSE majors. 

GNSE 20117 Feminist Theory and Political Economy
Instructor: Sarah Johnson
This course has two related aims: to consider how the regulation of economic life—from the household to the global economy—has figured as an object of analysis within feminist thought; and to examine how this analysis, together with the conceptual resources of political economy, has informed feminist theories of domination, freedom, equality, rights, and justice. Readings may include works by Simone de Beauvoir, Angela Davis, bell hooks, Iris Marion Young, Catharine MacKinnon, Nancy Fraser, and Aihwa Ong. The course includes a substantial research requirement, which invites students to draw upon the insights of these theorists as they use archival sources to conduct their own analyses of economic life. Enrollment is limited to undergraduates who have completed their Social Sciences Core requirement.
This course counts as a Problems course for GNSE majors. 

GNSE 20127 Black Women Work: The labor of Black women in communities, families, and institutions
Instructor: C. Nell Crittenden
This multidisciplinary course will explore the labor of Black women in three distinct arenas-communities, families, and institutions. Students will explore these areas through engaging with historical and contemporary narratives, research, and popular media, heavily drawing in a U.S. context, but not exclusively. Through an engagement of Black women in the U.S. labor force, this course will explore three questions. How has the labor of Black women contributed to the sustainability of communities, families, and institutions? What are the choices Black women make to engage and sustain their work? What is the future of the labor of Black women? Is the future one that is liberatory or not? Students will leave this course with an understanding of the ways intersectional experiences of oppression contribute to complex conditions and decision-making, that shape the labor of Black women, the function of certain labor decisions as sites of resistance, as well as the generative resources that support the professional success and well-being of Black women.
This course counts as a Problems course for GNSE majors.  

GNSE 20132 Gender, Race, and Horror
Instructor: AE Stevenson
This course will contend with the ways that horror as a film genre constructs and deconstructs notions of gender and race in society. We will attend to texts across decades and subgenres that will illustrate how gender and race are made and regulated through notions of confusion, fear, and repulsion. By attending to these universal human feelings, students will learn how emotions are evoked through the construction of the text, its portrayal of the disruption of gender norms and its construction of racial boundaries. Students will learn the necessary vocabulary and methodologies to be able to critically analyze (audio)visual texts. In order to do this, students will be guided through how to construct argumentative critical papers through proper utilization of grammar, syntax, and vocabulary. By the end of the course, students will be well versed in cinematographic terms such that they will be able to critically analyze texts to understand the impact of perspective, interpretation, and judgment. This course is meant to help students navigate and make sense of an increasingly scary world by learning to appreciate fear as a necessary human expression. Finally, and most importantly, students will be able to engage with the age-old notion of terror to be able lead a more ethical and intellectually richer life.
This course counts as a Problems course for GNSE majors. 

GNSE 20136 Generations, Gender, and Genre in Korean Fiction & TV Drama
Instructor: Kyeong-Hee Choi
The seminar analyzes the issues of generations, gender, and genres that arise from a selection of popular literary and television dramas from modern and contemporary Korea. The selection for the course is marked by the creative contributions of Korean women as novelists, scriptwriters, directors, among others. It includes prose fiction by renowned authors such as Park Wan-sŏ (1931-2011), Han Kang (1970- ), and Cho Nam-joo (1978- ), as well as television series like Mr. Sunshine (2018; scripted by Kim Eun-sook), The Red Sleeve (2021; dir. by Chŏng Chi-in; adapted the 2017 novel by from Kang Mi-kang), and My Liberation Notes (2022; written by Park Hae-yeong). Through a blend of close textual analysis and historical contextualization, the course aims to uncover the ways in which the gendered and generational identities of these creators might have helped certain configurations of concerns, needs, and aspirations saliently emerge in response to social, cultural, historical, and political currents of their time. [Consent Required; No prior knowledge of the Korean language is necessary]
This course counts as a Problems course for GNSE majors. 

GNSE 20141 Queerness in the Shadow of Empire: Sexualities in the Modern Middle East
Instructor: Eman Abdelhadi
Critics, from both the Right and the Left, claim that liberal sexual regimes are Western, imperial impositions onto Muslim and Middle Eastern societies. On the other hand, LGBTQ+ advocates claim that the restriction of sexuality is itself a colonial legacy. This class will delve into this debate by examining cutting edge empirical and theoretical work on Queer lives in the modern Middle East. Instructor Consent required.
This course counts as a Problems course for GNSE majors. 

GNSE 20149 Gender and Sexuality in Latin America
Instructor: Mary Hicks
Bringing together Latin American social, feminist and queer theory, we will explore four pivotal moments in history—Spanish conquest, independence, industrialization and revolution—in order to interrogate why social conflicts were often mediated through competing definitions of masculinity and femininity as well as how debates about legitimate sexual practice and reproduction ultimately underpinned larger concerns over racial purity, economic inequality, class struggle and the prerogatives of the state. Our readings will span a variety of perspectives and theoretical orientations in order to shed light on the intellectual and social diversity unique to the Latin American context.
This course counts as a Problems course for GNSE majors. 

GNSE 20620 Literature, Medicine, and Embodiment
Instructor: Julie Orlemanski
This class explores the connections between imaginative writing and embodiment, especially as bodies have been understood, cared for, and experienced in the framework of medicine. We’ll read texts that address sickness, healing, diagnosis, disability, and expertise. The class also introduces a number of related theoretical approaches, including the medical humanities, disability studies, narrative medicine, the history of the body, and the history of science. 

GNSE 21303 Gender, Capital, and Desire: Jane Austen and Critical Interpretation
Instructor: Tristan Schweiger
Today, Jane Austen is one of the most famous (perhaps the most famous), most widely read, and most beloved of eighteenth- and nineteenth-century British novelists. In the 200 years since her authorial career, her novels have spawned countless imitations, homages, parodies, films, and miniseries – not to mention a thriving “Janeite” fan culture. For just as long, her novels have been the objects of sustained attention by literary critics, theorists, and historians. For example, feminist scholars have long been fascinated by Austen for her treatments of feminine agency, sociality, and desire. Marxists read her novels for the light they shed on an emergent bourgeoisie on the eve of industrialization. And students of the “rise of the novel” in English are often drawn to Austen as an innovator of new styles of narration and a visionary as to the potentials of the form. This course will offer an in-depth examination of Austen, her literary corpus, and her cultural reception as well as a graduate-level introduction to several important schools of critical and theoretical methodology. We will read all six of Austen’s completed novels in addition to criticism spanning feminism, historicism, Marxism, queer studies, postcolonialism, and psychoanalysis. Readings may include pieces by Sara Ahmed, Frances Ferguson, William Galperin, Deidre Lynch, D.A. Miller, Edward Said, Eve Kosofsky Sedgwick, and Raymond Williams. Open to MA and PhD students; 3rd- and 4th-year undergrads 

GNSE 21810 The Werewolf in Literature and Film
Instructor: David Delbar
Human transformation into animals (and into wolves in particular) is a recurring trope in many cultures’ storytelling. Authors have used the story device to explore the nature of humans and animals, human fear and vulnerability, psychological problems and mental illness, gender and sexuality, social/racial hierarchy, marginalization, identity, and our own capacity for violence and savagery. In this course we will examine werewolves in literature and film from several cultures (French, English, German, Finnish, Blackfoot, Japanese) in English translation, primarily from the late 20th century onward. We will focus on how the aforementioned themes are used and developed in each work and the overarching patterns of werewolf stories. Students will write a final analytical paper or produce a creative project. 

GNSE 22604 Race, Justice, and the Assemblage of American Moralities
Instructor: Samah Choudhury
This course explores the racial and moral imperatives that are encapsulated within concepts of “Americanness” and the theoretical notions that define the discursive, historical, and sociopolitical boundaries of American identities. How have claims to American identity relied on created religious or religiously-inflected Others? Together, we will consider how the human phenomena of religion and race have developed across our histories in concert with one another. How do racial and moral imperatives the define discursive, historical, and sociopolitical boundaries of American identities? We will examine how these formations have been deployed, defined, and bent to fit particular historical and cultural contexts while continuing to inform each other in a variety of permutations, especially in the United States. How do race and religion also intersect with gender, sexuality, ethnicity, and politics? Our theoretical grounding in migration, encounters, and transnational mobilities will provide insight into how race is imagined on and into differently minoritized people while considering what it means to be participants in the project of racecraft today. Our readings will include historical materials, literary texts, theological reflections, and examples from popular culture that meditate on these topics. 

GNSE 23143 Introduction to Porn Studies
Instructor: Gabriel Ojeda-Sague
This course is a multi-media introduction to the Western history and study of the mode/label/genre of aesthetic production called pornography and its other appearances as “obscenity,” “erotica,” “porn,” “filth,” “art,” “adult,” “hardcore,” “softcore,” “trash,” and “extremity.” We will study how others have approached this form, how they have sought to control it, uplift it, analyze it, destroy it, take it seriously, or learn to live with it. This course is both an introduction to the academic field of “porn studies” and to its equal and opposite: the endless repository of historical and current attempts to get pornography out of the way, to keep it somewhere else out of sight, to destroy it, or to deem it unworthy of study. We begin with a conversation about what the stakes are and have been in studying porn and how we might go about doing it, and then move through history and media technologies beginning with the category of pornography’s invention with regards to drawings from Pompeii. The course is meant to introduce students to various forms pornography has taken, various historical moments in its sociocultural existence, and various themes that have continued to trouble or enchant looking at pornography. The goal of this course is not to make an argument for or against porn wholesale, but to give students the ability to take this contentious form and its continued life seriously, intelligently, and ethically.
This course counts as a Concepts course for GNSE majors.

GNSE 23157 Alone in the Mountains: Tales of Freedom and Violence in Contemporary Catalan Literature
Instructor: Bel Olid
From witches to goges (""water women""), Catalan folklore shows a tradition of women living on their own in the mountains, liberated from societal conventions. These women are portrayed as fascinating yet threatening figures. This ancient imagery has permeated contemporary literature, manifested in novels that depict women who remove themselves from ""civilization"" to inhabit rural areas of Catalunya, seeking freedom and having to confront at the same time societal norms, abusive partners or even their own personal demons. The mountains, far from ideal and peaceful, are an untamed and often brutal space in which human lives hold no greater value than those of goats, mushrooms, rivers. In this course we shall engage with four novels authored by women: Solitude (1904) by Victor Català, Stone in a Landslide (1984) by Maria Barbal, When I Sing Mountains Dance (2019) by Irene Solà, and Alone (2021) by Carlota Gurt. Through the analysis of these literary works, we aim to delve into Catalan culture and explore its literary archetypes, while establishing significant connections among these texts and their place in modern and contemporary literature.
This course counts as a Concepts course for GNSE majors. 

GNSE 23174 Sex, Gender, and Kinship: Colonial Perspectives
Instructor: Deirdre Lyons
This course analyzes the contested relationships between gender, sexuality, kinship, and European systems of colonialism from the early modern period through the twentieth century. Drawing on historical case studies, feminist theory and postcolonial studies, this course will cover a broad range of empires and regions to explore topics such as the construction of gender ideologies and how colonial systems of rule were established through changing concepts of gender, sex, and kinship—and their connections to race, colonial power, and neo/post/colonial legacies. Our primary aim is to account for how complex and fraught notions of “gender,” “family,” and “sexuality” mutually emerged alongside transformative shifts in systems of western colonialism.
This course counts as a Concepts course for GNSE majors. 

GNSE 23177 Gender, Violence and Carcerality
Instructor: Anna Fox
What is the relationship between gender-based violence and the carceral state? This course will explore the role of gendered violence in the formation, expansion, and legitimation of the carceral state. It will look at how state institutions, like policing, criminal courts, and prisons react to, utilize, and, in some cases, perpetrate gendered violence. This course is organized thematically, using theoretical texts, empirical sociological work, and on-the-ground communiques to illuminate the gendered facets of carceral institutions. Ultimately, we will consider how normative gender regimes may shape the carceral state, and vice versa.
This course counts as a Concepts course for GNSE majors. 

GNSE 23180 Global Maternal and Child Health
Instructor: Erick Amick
This course provides a foundation in global perspectives on maternal and child health research, practice, and policy. The course will cover a range of maternal and child health topics to examine critical challenges facing women, children, providers, and policymakers in some of the world's most vulnerable communities. Students in this course will: 1) understand the status of maternal and child health in a variety of communities and contexts, using key health and development indicators; 2) critically analyze past and present public health programs and policies utilized to address maternal and child health needs in diverse communities; 3) assess the economic, political, social, and cultural factors that affect maternal and child health programs and outcomes.
This course counts as a Concepts course for GNSE majors. 

GNSE 23602 Critical Security Studies
Instructor: Kara Hooser
This graduate-level elective course is designed to introduce students to approaches to global politics beyond the traditional mainstream canon, surveying a range of perspectives that fall under the heading of ‘critical.' The main goal is to develop an understanding of what is at stake, politically, with some of the main concepts, theories, methodological approaches, and empirical objects within the study of international relations (IR) and international security. The course is divided into two sections. First, we begin by considering what makes a critical approach critical—that is, how is it set apart from conventional approaches? In particular, we will explore how critical approaches encourage us to question our assumptions, first, about what security, power, sovereignty, and other core concepts mean in global politics, and second, about who or what (individuals, groups, nonhuman animals, states, the planet) can be agents of global politics. Some examples of approaches we cover are: theories from the Global South, approaches to human security, global feminisms, securitization theories, ontological security, emotions and affect, the visual turn, new materialisms, and post-colonial perspectives. In the second half of the course, we apply these approaches to a range of issues, including nuclear weapons, borders and immigration, drone warfare, terrorism, and climate change. 

GNSE 23645 Body and the Digital
Instructor: Crystal Beiersdorfer
As digital technology advances, the separation between IRL and URL blurs. Participants enrolled in this course will explore techniques that will help them create thought-provoking work, learn how to create a research-based digital artwork, strengthen their ability to give and receive critique, and build an understanding of how the corporeal interacts with the digital. Students will offer and receive constructive feedback during instructor-led critiques on peers' works throughout this course. Students will also explore the intersection of gender and digital spaces through weekly readings and discussions. By the end of this course, students will feel comfortable utilizing different processes of development to create digital artwork and speaking about digital spaces, including how different social identities affect our relationship with them. 

GNSE 23702 Sexual Health: Identity, Behavior and Outcomes
Instructor: David Moskowitz
Sexual health is a growing component of public health outreach. The goal of this course is to provide students with a foundational understanding of sexual health from a public health perspective. Through participation in this course, students will increase their knowledge about the history of sexual health promotion in the public health sphere. They will delve into sexual and gender identity construction and explore identity-behavioral expressions. They will critically examine and discuss common sexual health issues addressed by public health practitioners, their epidemiology, and their underlying social determinants; a global health lens will be applied to such examinations. Additionally, recognition of the key methodological considerations in the measurement of sexual behavior and sexual health outcomes will be elucidated (including strengths and limitations of various methodological approaches –quantitative, qualitative, clinical, and biomedical). By the completion of the course, students should be able to demonstrate knowledge and application of key theoretical foundations of sexual health promotion and sexual health behavior change and be able to promote sexual health messages through marketing and dissemination. From a policy perspective, student can expect an increased knowledge about issues related to social and legislative policy analyses, their applications, and implications. 

GNSE 24125 Oral Performance And Gender From The Middle Ages To Slam Poetry
Instructor: Alessandro Minnucci
Italian culture has been continuously enriched by oral artistic practices that transcend the written page through the bodies and voices of performers. The content of this course will analyze various oral traditions from the Italian context, ranging from courtly lyric poetry of the Middle Ages to the vibrant contemporary performance poetry scene. Additionally, the course will examine the interplay between oral traditions and marginalized communities, with a particular focus on the exploration of female voices—from Renaissance mystical performances to feminist oral history practices in the 1970s—while also considering the polyvocal influence of immigration and the use of regional dialects. The course will integrate artistic content with theoretical material on the topic of voice (Agamben, Bologna, Cavarero, Frasca), as well as insights from media studies, feminist and queer studies, critical race studies, and performance theory. By the conclusion of this course, students will be able to deconstruct the traditional dichotomy between written text and oral practices by recognizing the mutual exchange between the two and incorporate Italian oral traditions into the traditional literary canon. Reading knowledge of Italian required. Class will be conducted in English with a separate discussion section available for students seeking credit for the Italian major/minor. Readings will be in Italian and in English. 

GNSE 24426 The Witch Craze in 17th-Century Europe: Scotland, Poland-Lithuania, Russia, and Moravia
Instructor: Malynne Sternstein
In this course, we look carefully at the reasons for and repercussions of the “witch craze” in the long 17th-century, focussing on primary texts such as trial reports, legal literature, pamphlets, woodcuts, scholarly dissent, and other paraphernalia. The course follows a sweep of the craze from Lancashire in Scotland, where trials began in the 1590s, to Poznań in the Polish-Lithuanian Commonwealth, to the Russian village of Lukh on the outskirts of Moscow, where between 1656 and 1660 over twenty-five individuals, most of them male, were tried and several executed, and finally to Northern Moravia under Habsburg rule where inquisitor Hetman Boblig presided over the burning of almost 100 "witches." In each region, trials followed different customs—Protestant, Eastern Orthodox, Catholic—and answered to different legislative discourse—ecclesiastical, laic, secular—yet all can be said to be the product of a common desire and collective fear. To supplement our understanding of the multifaceted anxieties that are expressed in works such as King James’ Daemonologie (1597), and to ask more questions of the intersectional phobias around gender, sexuality, religion, and class (rural-urban; colony-metropole), we take up theory from Foucault, Federici, and Mbembe, and others. 

GNSE 24706 Japanese Art in the Sinosphere
Instructor: Chelsea Foxwell
From the earliest centuries of the common era until the 1870s, Japanese writers, artists, and scholars considered themselves to be living in the Sinosphere: the realm of China’s cultural and political centrality. Starting with a consideration of Chinese material culture in the Tale of Genji, we will proceed to address topics such as the relation between Chinese and Japanese handscroll paintings, the spread of Chinese-style ink monochrome painting in Japan, the rise of the Kano school as official painters and Chinese-style painting experts, and the immense popularity of literati painting and calligraphy. Korean painting’s intersection with Chinese and Japanese art in the medieval and early modern periods will also factor into the discussion. We will evaluate the changing dynamics around political power and gender embodied in the Chinese/Japanese oppositional duality and reassess the prevailing narratives concerning how the Sinosphere faded from view in the Meiji era. 

GNSE 24770 Sex, Crime and Horror in Argentine Literature
Instructor: Carlos Halaburda
This course examines a historical trajectory of Argentine literature, cinema, and the visual arts through the study of three thematic currents that significantly influenced Argentina’s cultural and socio-political experience with nation-building, modernization, and democracy: sex, crime, and horror. The primary objective of the course is to foster a critical exploration of how foundational works of Romanticism and Realism in the Río de la Plata, the Noir genre, and the Gothic tradition accounted for decisive changes in the social fabric of the country. Students will assess the role of sexuality, crime, and horror stories in the representation of momentous events in Argentine history, spanning from the revolutionary era in the nineteenth century to the contemporary period. Topics include the Wars of Independence, gaucho literature, indigenous resistance, the great transatlantic migratory flows, the rise of the middle classes, Peronismo, youth culture, military dictatorships, human rights violations, LGBT movements, and economic precarity in neoliberal times. Works by Esteban Echeverría, Domingo Faustino Sarmiento, Juana Manuela Gorriti, José Hernández, Lucio V. and Eduarda Mansilla, Leopoldo Lugones, Roberto Arlt, Jorge Luis Borges, Juan José Saer, Alejandra Pizarnik, Juan Gelman, Silvina Ocampo, Rodolfo Walsh, Manuel Puig, Ricardo Piglia, Mariana Enríquez, María Luisa Bemberg, Luis Puenzo, Albertina Carri, Santiago Mitre, among others.

GNSE 26994 Anticolonial Worlding: Literature, Film, Thought
Instructor: Leah Feldman
This course explores anticolonial worldbuilding through literature, film, art, and philosophy. It focuses on the role of the cultural Cold War in shaping anticolonial aesthetics and politics during the twentieth century as well as its impact on our current political moment. The mid-century was characterized by an expansion of anticolonial festivals, exchanges, and congresses and marked by political crises and coalitional solidarity across Vietnam, Palestine, Cuba, Soviet and US imperial expansion, and the May 1968 student protests. We will explore how Pan-Arab, Pan-African, Non-Aligned/Global South, Marxist-Leninist, indigenous land rights, and racial justice movements mobilized class, gender, and language politics. Exploring anticolonial literature, film, and art across a multilingual and transnational archive we will ask how socialist and speculative realisms, engaged literature, third cinema, agitprop, and other aesthetic movements generated powerful internationalist imaginations and networks of resistance. 

GNSE 27300 Le Roman de la Rose
Instructor: Daisy Delogu
The ""Roman de la Rose"" (mid-13th century), a sprawling, encyclopedic summa composed by two separate authors, was arguably the single most influential vernacular text of the Middle Ages. Whether they hated or admired it, subsequent writers could not escape the long shadow cast by this magisterial œuvre. And, as Kate Soper’s recent opera adaptation of the ""Rose"" demonstrates, this labyrinthine work remains a source of creative inspiration. In this course we will read the ""Rose"" together. Each student will choose a critical lens (e.g. gender and sexuality, animal and/or ecocritical studies, ethics and philosophy, reception studies, manuscript studies, text & image, etc.) to structure their engagement with the text, and together we will collaborate to chart a rich and diverse set of interpretive paths through this complex work. All registered students will attend the cours magistral (taught in English). In addition, all registered students will select and attend either the French discussion section, or the critical theory section. Students are welcome to attend both. 

GNSE 27301 Harm Reduction and HIV Prevention in the Overdose Era
Instructors: Harold Pollack, John A. Schneider
We will discuss some of the debates around harm reduction, some of the cutting-edge harm reduction strategies, HIV prevention and the communities and populations most impacted by overdose and other related health conditions. Prerequisite(s): PQ: Third and fourth-year standing. 

GNSE 28802 United States Labor History
Instructor: Amy Dru Stanley
This course will explore the history of labor and laboring people in the United States. The significance of work will be considered from the vantage points of political economy, culture, and law. Key topics will include working-class life, industrialization and corporate capitalism, slavery and emancipation, the role of the state and trade unions, and race and sex difference in the workplace. 

GNSE 29427 Fashion, Empire, Capitalism
Instructor: Katie Hickerson
Clothing, famously termed the “social skin”, mediates the space between individuals and societies. Whether articulating personal taste or reflecting a collective identity, dress can be a powerful symbol—both historically and in the contemporary world. Worn against the skin, clothing is both intimate and connects us to a global, multi-billion-dollar system that employs roughly one in every ten people worldwide. This course addresses the multivalent history of dress from early modern imperial encounters in the Atlantic World, to anti-colonial movements in South Asia, to the nineteen-forties American Zoot Suit Riots—demonstrating the ways that clothes are connected to gendered and racial categories, political projects, and the shape of global capitalism. Students will analyze case studies from Malabar to Manchester, colonial Lima to revolutionary France, nineteenth-century Zanzibar to nineteen-eighties New York. Examining the history of dress and its global interconnections necessitates an interdisciplinary approach; therefore, students will combine historical scholarship with theoretical frameworks from the anthropology of dress and methodologies from material culture studies to analyze sources ranging from museum objects to films, haute couture fashion to flip-flops. Finally, this course sheds light on historic interconnections and the development of fashion systems, asks what ways these continue to animate our contemporary world, and imagines new possibilities for the future. 

The following class can count as a GNSE course in the major only in Autumn 2024: 

REES 20001 Tolstoy's War and Peace
Instructor: Anne Eakin-Moss
Leo Tolstoy’s monumental novel War and Peace, which the author Henry James called “a loose baggy monster,” is a sui generis work of modern literature that offered a response and challenge to the European Realist novel and founded a Russian national myth. We will read the novel in translation, alongside its adaptations into opera, film, and Broadway musical. We will also read literary theoretical works inspired by the novel and consider the novel in relation to theories of narrative, critical theory of gender, and philosophies of community and everyday experience.  

Graduate Course Descriptions

AUTUMN 2024

GNSE 30136 Generations, Gender, And Genre in Korean Fiction & TV Drama
Instructor: Kyeong-Hee Choi
The seminar analyzes the issues of generations, gender, and genres that arise from a selection of popular literary and television dramas from modern and contemporary Korea. The selection for the course is marked by the creative contributions of Korean women as novelists, scriptwriters, directors, among others. It includes prose fiction by renowned authors such as Park Wan-sŏ (1931-2011), Han Kang (1970- ), and Cho Nam-joo (1978- ), as well as television series like Mr. Sunshine (2018; scripted by Kim Eun-sook), The Red Sleeve (2021; dir. by Chŏng Chi-in; adapted the 2017 novel by from Kang Mi-kang), and My Liberation Notes (2022; written by Park Hae-yeong). Through a blend of close textual analysis and historical contextualization, the course aims to uncover the ways in which the gendered and generational identities of these creators might have helped certain configurations of concerns, needs, and aspirations saliently emerge in response to social, cultural, historical, and political currents of their time. [Consent Required; No prior knowledge of the Korean language is necessary] 

GNSE 30141 Queerness in the Shadow of Empire: Sexualities in the Modern Middle East
Instructor: Eman Abdelhadi
Critics, from both the Right and the Left, claim that liberal sexual regimes are Western, imperial impositions onto Muslim and Middle Eastern societies. On the other hand, LGBTQ+ advocates claim that the restriction of sexuality is itself a colonial legacy. This class will delve into this debate by examining cutting edge empirical and theoretical work on Queer lives in the modern Middle East. Instructor Consent required. 

GNSE 30901 Biopsychology of Sex Differences
Instructor: Jill Mateo
This course will explore the biological basis of mammalian sex differences and reproductive behaviors. We will consider a variety of species, including humans. We will address the physiological, hormonal, ecological and social basis of sex differences. To get the most from this course, students should have some background in biology, preferably from taking an introductory course in biology or biological psychology. 

GNSE 32604 Race, Justice, and the Assemblage of American Moralities
Instructor: Samah Choudhury
This course explores the racial and moral imperatives that are encapsulated within concepts of “Americanness” and the theoretical notions that define the discursive, historical, and sociopolitical boundaries of American identities. How have claims to American identity relied on created religious or religiously-inflected Others? Together, we will consider how the human phenomena of religion and race have developed across our histories in concert with one another. How do racial and moral imperatives the define discursive, historical, and sociopolitical boundaries of American identities? We will examine how these formations have been deployed, defined, and bent to fit particular historical and cultural contexts while continuing to inform each other in a variety of permutations, especially in the United States. How do race and religion also intersect with gender, sexuality, ethnicity, and politics? Our theoretical grounding in migration, encounters, and transnational mobilities will provide insight into how race is imagined on and into differently minoritized people while considering what it means to be participants in the project of racecraft today. Our readings will include historical materials, literary texts, theological reflections, and examples from popular culture that meditate on these topics. 

GNSE 33702 Sexual Health: Identity, Behavior and Outcomes
Instructor: David Moskowitz
Sexual health is a growing component of public health outreach. The goal of this course is to provide students with a foundational understanding of sexual health from a public health perspective. Through participation in this course, students will increase their knowledge about the history of sexual health promotion in the public health sphere. They will delve into sexual and gender identity construction and explore identity-behavioral expressions. They will critically examine and discuss common sexual health issues addressed by public health practitioners, their epidemiology, and their underlying social determinants; a global health lens will be applied to such examinations. Additionally, recognition of the key methodological considerations in the measurement of sexual behavior and sexual health outcomes will be elucidated (including strengths and limitations of various methodological approaches –quantitative, qualitative, clinical, and biomedical). By the completion of the course, students should be able to demonstrate knowledge and application of key theoretical foundations of sexual health promotion and sexual health behavior change and be able to promote sexual health messages through marketing and dissemination. From a policy perspective, student can expect an increased knowledge about issues related to social and legislative policy analyses, their applications, and implications. 

GNSE 33800 Global Maternal and Child Health
Instructor: Erick Amick
This course provides a foundation in global perspectives on maternal and child health research, practice, and policy. The course will cover a range of maternal and child health topics to examine critical challenges facing women, children, providers, and policymakers in some of the world's most vulnerable communities. Students in this course will: 1) understand the status of maternal and child health in a variety of communities and contexts, using key health and development indicators; 2) critically analyze past and present public health programs and policies utilized to address maternal and child health needs in diverse communities; 3) assess the economic, political, social, and cultural factors that affect maternal and child health programs and outcomes. 

GNSE 34426 The Witch Craze in 17th-Century Europe: Scotland, Poland-Lithuania, Russia, and Moravia
Instructor: Malynne Sternstein
In this course, we look carefully at the reasons for and repercussions of the “witch craze” in the long 17th-century, focussing on primary texts such as trial reports, legal literature, pamphlets, woodcuts, scholarly dissent, and other paraphernalia. The course follows a sweep of the craze from Lancashire in Scotland, where trials began in the 1590s, to Poznań in the Polish-Lithuanian Commonwealth, to the Russian village of Lukh on the outskirts of Moscow, where between 1656 and 1660 over twenty-five individuals, most of them male, were tried and several executed, and finally to Northern Moravia under Habsburg rule where inquisitor Hetman Boblig presided over the burning of almost 100 "witches." In each region, trials followed different customs—Protestant, Eastern Orthodox, Catholic—and answered to different legislative discourse—ecclesiastical, laic, secular—yet all can be said to be the product of a common desire and collective fear. To supplement our understanding of the multifaceted anxieties that are expressed in works such as King James’ Daemonologie (1597), and to ask more questions of the intersectional phobias around gender, sexuality, religion, and class (rural-urban; colony-metropole), we take up theory from Foucault, Federici, and Mbembe, and others. 

GNSE 34706 Japanese Art in the Sinosphere
Instructor: Chelsea Foxwell
From the earliest centuries of the common era until the 1870s, Japanese writers, artists, and scholars considered themselves to be living in the Sinosphere: the realm of China’s cultural and political centrality. Starting with a consideration of Chinese material culture in the Tale of Genji, we will proceed to address topics such as the relation between Chinese and Japanese handscroll paintings, the spread of Chinese-style ink monochrome painting in Japan, the rise of the Kano school as official painters and Chinese-style painting experts, and the immense popularity of literati painting and calligraphy. Korean painting’s intersection with Chinese and Japanese art in the medieval and early modern periods will also factor into the discussion. We will evaluate the changing dynamics around political power and gender embodied in the Chinese/Japanese oppositional duality and reassess the prevailing narratives concerning how the Sinosphere faded from view in the Meiji era. 

GNSE 34771 Sex, Crime and Horror in Argentine Literature
Instructor: Carlos Halaburda
This course examines a historical trajectory of Argentine literature, cinema, and the visual arts through the study of three thematic currents that significantly influenced Argentina’s cultural and socio-political experience with nation-building, modernization, and democracy: sex, crime, and horror. The primary objective of the course is to foster a critical exploration of how foundational works of Romanticism and Realism in the Río de la Plata, the Noir genre, and the Gothic tradition accounted for decisive changes in the social fabric of the country. Students will assess the role of sexuality, crime, and horror stories in the representation of momentous events in Argentine history, spanning from the revolutionary era in the nineteenth century to the contemporary period. Topics include the Wars of Independence, gaucho literature, indigenous resistance, the great transatlantic migratory flows, the rise of the middle classes, Peronismo, youth culture, military dictatorships, human rights violations, LGBT movements, and economic precarity in neoliberal times. Works by Esteban Echeverría, Domingo Faustino Sarmiento, Juana Manuela Gorriti, José Hernández, Lucio V. and Eduarda Mansilla, Leopoldo Lugones, Roberto Arlt, Jorge Luis Borges, Juan José Saer, Alejandra Pizarnik, Juan Gelman, Silvina Ocampo, Rodolfo Walsh, Manuel Puig, Ricardo Piglia, Mariana Enríquez, María Luisa Bemberg, Luis Puenzo, Albertina Carri, Santiago Mitre, among others. 

GNSE 36994 Anticolonial Worlding: Literature, Film, Thought
Instructor: Leah Feldman
This course explores anticolonial worldbuilding through literature, film, art, and philosophy. It focuses on the role of the cultural Cold War in shaping anticolonial aesthetics and politics during the twentieth century as well as its impact on our current political moment. The mid-century was characterized by an expansion of anticolonial festivals, exchanges, and congresses and marked by political crises and coalitional solidarity across Vietnam, Palestine, Cuba, Soviet and US imperial expansion, and the May 1968 student protests. We will explore how Pan-Arab, Pan-African, Non-Aligned/Global South, Marxist-Leninist, indigenous land rights, and racial justice movements mobilized class, gender, and language politics. Exploring anticolonial literature, film, and art across a multilingual and transnational archive we will ask how socialist and speculative realisms, engaged literature, third cinema, agitprop, and other aesthetic movements generated powerful internationalist imaginations and networks of resistance. 

GNSE 37300 Le Roman de la Rose
Instructor: Daisy Delogu
The ""Roman de la Rose"" (mid-13th century), a sprawling, encyclopedic summa composed by two separate authors, was arguably the single most influential vernacular text of the Middle Ages. Whether they hated or admired it, subsequent writers could not escape the long shadow cast by this magisterial œuvre. And, as Kate Soper’s recent opera adaptation of the ""Rose"" demonstrates, this labyrinthine work remains a source of creative inspiration. In this course we will read the ""Rose"" together. Each student will choose a critical lens (e.g. gender and sexuality, animal and/or ecocritical studies, ethics and philosophy, reception studies, manuscript studies, text & image, etc.) to structure their engagement with the text, and together we will collaborate to chart a rich and diverse set of interpretive paths through this complex work. All registered students will attend the cours magistral (taught in English). In addition, all registered students will select and attend either the French discussion section, or the critical theory section. Students are welcome to attend both. 

GNSE 38802 United States Labor History
Instructor: Amy Dru Stanley
This course will explore the history of labor and laboring people in the United States. The significance of work will be considered from the vantage points of political economy, culture, and law. Key topics will include working-class life, industrialization and corporate capitalism, slavery and emancipation, the role of the state and trade unions, and race and sex difference in the workplace. Graduate students by consent of instructor. 

GNSE 39109 Sex, Gender, and Kinship: Colonial Perspectives
Instructor: Deirdre Lyons
This course analyzes the contested relationships between gender, sexuality, kinship, and European systems of colonialism from the early modern period through the twentieth century. Drawing on historical case studies, feminist theory and postcolonial studies, this course will cover a broad range of empires and regions to explore topics such as the construction of gender ideologies and how colonial systems of rule were established through changing concepts of gender, sex, and kinship—and their connections to race, colonial power, and neo/post/colonial legacies. Our primary aim is to account for how complex and fraught notions of “gender,” “family,” and “sexuality” mutually emerged alongside transformative shifts in systems of western colonialism. 

GNSE 41303 Gender, Capital, and Desire: Jane Austen and Critical Interpretation
Instructor: Tristan Schweiger
Today, Jane Austen is one of the most famous (perhaps the most famous), most widely read, and most beloved of eighteenth- and nineteenth-century British novelists. In the 200 years since her authorial career, her novels have spawned countless imitations, homages, parodies, films, and miniseries – not to mention a thriving “Janeite” fan culture. For just as long, her novels have been the objects of sustained attention by literary critics, theorists, and historians. For example, feminist scholars have long been fascinated by Austen for her treatments of feminine agency, sociality, and desire. Marxists read her novels for the light they shed on an emergent bourgeoisie on the eve of industrialization. And students of the “rise of the novel” in English are often drawn to Austen as an innovator of new styles of narration and a visionary as to the potentials of the form. This course will offer an in-depth examination of Austen, her literary corpus, and her cultural reception as well as a graduate-level introduction to several important schools of critical and theoretical methodology. We will read all six of Austen’s completed novels in addition to criticism spanning feminism, historicism, Marxism, queer studies, postcolonialism, and psychoanalysis. Readings may include pieces by Sara Ahmed, Frances Ferguson, William Galperin, Deidre Lynch, D.A. Miller, Edward Said, Eve Kosofsky Sedgwick, and Raymond Williams. Open to MA and PhD students; 3rd- and 4th-year undergrads

GNSE 41304 Medieval Romance
Instructor: John Miller
Medieval romance is one of the main ancestors of fantasy and science fiction. This course examines the speculative work of fantasy in medieval romance's explorations of aesthetics, desire, and politics. 

GNSE 43602 Critical Security Studies
Instructor: Kara Hooser
This graduate-level elective course is designed to introduce students to approaches to global politics beyond the traditional mainstream canon, surveying a range of perspectives that fall under the heading of ‘critical.' The main goal is to develop an understanding of what is at stake, politically, with some of the main concepts, theories, methodological approaches, and empirical objects within the study of international relations (IR) and international security. The course is divided into two sections. First, we begin by considering what makes a critical approach critical—that is, how is it set apart from conventional approaches? In particular, we will explore how critical approaches encourage us to question our assumptions, first, about what security, power, sovereignty, and other core concepts mean in global politics, and second, about who or what (individuals, groups, nonhuman animals, states, the planet) can be agents of global politics. Some examples of approaches we cover are: theories from the Global South, approaches to human security, global feminisms, securitization theories, ontological security, emotions and affect, the visual turn, new materialisms, and post-colonial perspectives. In the second half of the course, we apply these approaches to a range of issues, including nuclear weapons, borders and immigration, drone warfare, terrorism, and climate change. 

GNSE 43901 Queerness and Disability in Latin American Literature and Culture, 1880-1930
Instructor: Carlos Halaburda
With the rise of Latin American modernity, LGBTQ and crip populations were portrayed in literature, medical science, and visual culture as deviant. The discursive mechanisms to produce truths about bodies as normative or perverse, real or unreal, fit or disabled not only achieved authority in medicine, but also in numerous platforms where ableist heteronormativity was sedimented as a hegemonic way of life. Literature, theater, museums, the modern press, and the visual arts became semiotic territories for the production of racial, gender, sex, and psychophysical difference. But queer/crip/trans* and critical race theory have offered tools to critique the sexual hegemony and ableism of such patriarchal-colonial mindset. This graduate course introduces students to such debates in new Latin American critical studies, with a global perspective. Focusing on the cultural production of modern Latin America and the Caribbean, students will investigate and critique the somatic constructions of the so-called “deviant” in excerpts from novels, plays, chronicles, early films, and clinical studies. Texts by José Tomás de Cuéllar, Luis Montané Dardé, Leonidio Ribeiro, Eduardo Castrejón, Adolfo Caminha, Augusto D’Halmar, Rómulo Gallegos, José González Castillo, Elías Castelnuovo, Teresa de La Parra, Bernardo Arias Trujillo, Francisco de Veyga, Ofelia Rodríguez Acosta, among others. The course will be taught in Spanish and English. 

GNSE 46905 Performance Theory
Instructor: Leah Feldman This course offers a critical introduction to theories of performance and performativity across a transnational scope. We will read theories of performance that explore the relationship between text, body and audience alongside the history of performative theory and its afterlives in queer and affect theory. Drawing on comparative literary method, this course presents texts both within and beyond the Euro-American canon, across languages, and across disciplines to consider how empire and post-coloniality, race and ethnicity, and gender and sexuality shape performances and the publics that they address. We will think about the relationship between performance and politics and how performance as both an aesthetic genre and theoretical concept shapes the relationship between text, language, and embodied experience and explore the role of the spectator and their participatory function in the making of performances. 

The following class can count as a GNSE course for the Certificate only in Autumn 2024:

REES 30001 Tolstoy's War and Peace
Instructor: Anne Eakin-Moss Leo
Tolstoy’s monumental novel War and Peace, which the author Henry James called “a loose baggy monster,” is a sui generis work of modern literature that offered a response and challenge to the European Realist novel and founded a Russian national myth. We will read the novel in translation, alongside its adaptations into opera, film, and Broadway musical. We will also read literary theoretical works inspired by the novel and consider the novel in relation to theories of narrative, critical theory of gender, and philosophies of community and everyday experience.

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